Hill Country Live Presents:

Music Calendar

Barrence Whitfield & The Savages

Also Featuring: Daddy Long Legs Saturday 03/17
Show: 9:00PM
Tickets at the Door

Barrence Whitfield & The Savages

Barrence Whitfield & The Savages

Barrence Whitfield is a treasure, with unbelievable pipes, an unimpeachable discography (with great taste in cover tunes) and undeniable appeal.” – POPMATTERS

“Showcases a wild musical abandon.” – USA TODAY

When asked about the methods and the madness behind capturing the scorched earth soul of Under the Savage Sky, guitarist Peter Greenberg explained that the band was eager for something “harder and garagier” than their previous record, while still connecting with the energy and originality of the classics. Given that the previous release, Dig Thy Savage Soul (their 2013 Bloodshot debut and first U.S. release in a couple decades), was a 12-round sonic knockout, the R&B wallop of Under the Savage Sky may very well stand for ‘Roundhouse & Beatdown.’There’s no harder hitter than frontman Barrence Whitfield of Boston, MA. When he hits the boards with the Savages, you’re either gonna ride the energy or be crushed by it. We’re talking Joe Louis, Howlin’ Wolf, Wilson Pickett, Smokin’ Joe Frazier. Barrence has what these greats all possessed, the one thing a trainer cannot teach a fighter: a lust for mayhem. The wilder, louder, more insane the Savages bring it, the more BW is ready to attack the mic, to bring it high, to bring it low, to wear you down on the ropes, and eventually drop you. With the raw vocals, thick and nasty guitar tones, and preternaturally locked-in rhythm section, Under the Savage Sky might be the most soulful punk record—or perhaps the most punk soul record— you’ve ever heard. Compact, three minute-or-less blasts rocket back to the explosive heydays of The Dirtbombs and genre godfathers The Sonics. Don’t believe it? Just check out “Incarceration Casserole” (with its wild, Little Richard-era sax), the muscularity of “The Claw” (after all, every album of quality should start a dance craze), and “Katy Didn’t.” “Rock and Roll Baby,” “Bad News Perfume,” and “I’m A Good Man” play like a high school sock hop invaded by a biker gang. It’s the kind of hip-shake proto-rockabilly that once had parents dragging their kids to the confessional for listening to that devil music. “Adjunct Street,” a haunting, grinding ballad, gets you absinthe-drunk on Greenberg’s warbly guitar and Barrence’s deep growl, and “Full Moon in the Daylight Sky” brings the brooding, ‘60s 3 a.m. soul. One of BW&S’s signature moves is their unpredictable, deep-catalog choice of covers and Under the Savage Sky unearths some exquisite gems. Getting the Savage treatment in this bout are Timmy “Mr. Soul Satisfaction” Willis’s “I’m a Full Grown Man,” all peacock-strut garage blues with an above-the-pulpit B3; Kid Thomas’s “The Wolf Pack,” done here with stalking, back-alley toughness, burlesque sax lines and a lurid invitation to howl along; Eddie Snow’s “I’m a Good Man”; and Ace recording artist Mercy Baby’s “Rock and Roll Baby.” Taken from the album’s liner notes (written by John Swenson, noted scribe for such illustrious rock and boxing mags like Crawdaddy, Circus, and Ring): “Backing Whitfield are the best cornermen in the business, led by garage/punk guitarist Peter Greenberg, the visionary who started the Savages after a legendary stint with the Lyres, and his sidekick Phil “Mr. Tenacious” Lenker on bass. Greenberg works his guitar with the ruthless intricacy of a chain saw ice sculptor. Lenker meshes with drummer Andy Jodyfor an unrelenting sequence of haymaker beats. Tom Quartulli’s saxophone rips like a foghorn through the mist.” Under The Savage Sky rains soul and brimstone from the heavens. Keep your eyes to the sky... ain’t no umbrella gonna help you here

Also Featuring:

Daddy Long Legs

From the esteemed Norton Records label comes one of the wildest and most exciting groups of the current roots and blues revolution. Daddy Long Legs-named for its harp-blowing, blues-bellowing frontman, is a blues hollerer who blurs any definition by age or color. He growls, barks, yelps, and wails without sounding like an imitation of anyone or anything. This is simply pull-the-cord-and-let-the-snot-fly blues.

His partners in crime are cut from the same sweat-and-whiskey-soaked cloth. Guitarist Murat Akturk cranks out everything from powerhouse country blues rhythms to multi-stringed slide riffs. Drummer/percussionist Josh Styles keeps it simple and right on, sometimes locking in with his bandmates and other times leading the charge himself, slamming shovelfuls of coal into the beast.

The resulting gutsy, rocking blues spans the gamut from the churning romp of the album opener "Death Train Blues" to the nasty hoodoo stomp of "Evil Eye" that closes things down. Yeah, you've heard players bring the train into the station before – but by the time Daddy Long Legs wrestles the thing to a halt, everyone's covered in sweat.

Their "Evil Eye On You" LP was definitely not an attempt to domesticate the sound of Daddy Long Legs in a studio setting; the twelve cuts are wild and wooly and real. Infuse a few hisses and pops into the tracks and it would be easy to believe this music was recorded a few decades ago, but no – Daddy Long Legs is happening right now, boys and girls.