Hill Country Live Presents:

Music Calendar

Amy LaVere with Will Sexton

Wednesday 03/29
Show: 9:00PM
No Cover

Amy LaVere

Amy LaVere

Movies that claim to be "based on a true story" are often a loose interpretation, and this concept record, Runaway's Diary, is a bit like that. I really did run away from home, if only for a few days, and parts of this song diary come from those honest emotions and true events. But I wanted these songs to flow like good film, like my daydreams do, so I took a storyteller's liberty here and there. My hope is that this collection is an all-encompassing escape for the listener; a chance to runaway for 45 minutes and get lost in a good story.

In tenth grade my friend Becky and I decided on a whim to just split. Our friend Jenny drove us downtown to the Detroit bus station and we went to Chicago. We slept in the big train station where we were approached a number of times by what I'm sure were pimps wondering if we needed "work." We definitely looked the part of teenagers ready to find trouble, and after a couple of nights we were caught and taken by paddy wagon to Juvenile Hall and then flown home. It was an adventure, and fortunately it had a safe and happy ending. Not every runaway gets so lucky.

In 2009 I was invited to play an opening run for an artist named Seasick Steve. His life story is full of hobo adventure. He ran away at 14, hopped trains, played music and had a million interesting jobs and stories to tell. After recounting some of his vagabond stories I thought how I would have loved to have him guide me through the ways of being a real drifter, had I not been caught in that Chicago train station. His stories made it seem romantic. Knowing Steve, he would have eventually steered me home and so my daydream turned into the song "Rabbit." It opens the record, and I see it as something of a foreshadowing in the storyline.

The cover songs stitch together and round out the storyline. "Where I Lead Me" brings a little fun and defiance to the drifter in our story, when she's feeling free and empowered and isn't yet homesick or hungry. "How" struck me at once as a song always appropriate at some point in just about any story's plot, and "Dark Moon" comes at the moment she's realizing that there is always a dark side.

When I was a kid, my mother once said, "You could drop Amy naked in the middle of New York City with one dollar and she'd walk out clothed with a hundred." Naturally this is one of my favorite things she ever said about me. I try to buy into it as I roll around the world. At times I am running away from a bad experience and other times racing to what I know will be a good show or a chance to see some friends. And when I am in the van traveling down the road, this is my favorite time of the day – I like to turn on a record and run away in the story, lose myself in the daydreams the music conjures. This record is for daydreaming.

Thank you for listening.

Will Sexton

Artist's Links Website Page

Will Sexton

Will Sexton, whose writing credits range from work with Waylon Jennings and Stephen Stills to Joe Ely and Bill Carter, is shaped by the unique diversity of the Austin music scene. Fate and his own sheer talent placed him on stage with local legends before he'd lived out his first decade. Will and his big brother, Charlie, started playing together at the Continental Club when Will was 9 and Charlie was 11. Many of the sounds of his childhood still resonate in his current work. Will received early success in Austin and was signed by MCA at age 16. He has survived in the tough Austin music scene by playing gigs with a variety of notable artists. It is never unusual to go out to catch a show featuring an Austin singer/songwriter and see Will onstage.

Will's credits as producer and songwriter range from collaborations with Waylon Jennings to psychedelic pioneer Roky Erikson to Steve Earle and punk legend Johnny Thunders. Will has written for MCA and Almo Irving and recorded for MCA, A&M, and Zoo Entertainment. Will was in the New Folk Underground with David Baerwald, which resulted in the co-produced (w/ David Kitay) Lost Highway release Here Comes the New Folk Underground. Will names Terry Allen and Sheryl Crow hitmaker David Baerwald among his favorite writing partners. 2009 marked the completion of new production credits, including Randy Weeks' Going My Way, and Ruby James' CD, Happy Now, co-produced with his brother Charlie Sexton. Will also enjoys performing with Charlie Faye, Sahara Smith, and Shannon McNally.

Will has amassed an impressive collection of songs over the years, releasing his first independent album, Scenes From Nowhere, in 2001, which received a four-star review and was honored in the Top 5 Releases of 2001 by the Austin American-Statesman. Bus Stop Gossip, a previously unreleased recording from 2004, was unearthed and released in 2009 and was followed up by Move the Balance in 2010.

Things came to a temporary halt in December 2009 when Will suffered a mild stroke. Though he had a remarkable recovery, he was unable to remember much of the music he had written and played almost daily as a working musician. For him to be unable to connect with those songs mentally since the stroke was a setback few musicians could even imagine. The Austin music community has always been known for taking care of its own and came out in full force for a music benefit in honor of one of Austin's golden sons to raise money for Will's living expenses and medical bills.

While Will was working through the recovery process, Move The Balance was released two months later without much notice and to very little fanfare. This is an album not to be overlooked. It includes eleven new songs recorded by Mark Hallman and Andre Moran in twenty-two hours at Congress House studios in South Austin. Musicians on the CD include Will Sexton on vocals, guitar and bass, Mike Thompson on piano, guitar and trombone, Bukka Allen on B3 and accordion, Dony Wynn on drums and percussion, Ray Bonneville on harmonica, and Bill Carter on additional bass. Additional guest vocals were provided by Mark Hallman, Ruby "Red" James, Charlie Faye and Nöelle Hampton.